American Painter, 1850-1917 was a German born painter and art teacher who spent most of his career in the United States of America. Koehler was born in Hamburg; his family spelled their name Köhler until they moved to Milwaukee, Wisconsin in Robert's childhood. There he attended the historic German-English Academy. Koehler studied art from Henry Vianden and apprentice himself to a lithography firm. After some time working as a lithographer in New York City, Koehler went to Munich to study fine art at the Royal Academy in 1873. Koehler's work while in Munich won him silver and bronze awards from the Academy, and Bavaria's Cross of the Order of St. Michael. Koehler then set himself up as head of a private art school; pupils included Alfons Mucha. In 1892 Robert Koehler returned to New York City to work as a portrait artist. The following year he moved to Minneapolis, Minnesota, accepting an offer to be the director of the Minneapolis School of Fine Arts (now the Minneapolis College of Art and Design) Koehler was also involved with the establishment of Minneapolis' Museum of Fine Art, now the Minneapolis Institute of Arts.  Related Paintings of Robert Koehler :. | Filipu | The Virgin Embracing the Dead Christ | Detail of The Agony in the Garden | The natitity at night | Sacred Allegory (detail) dfg |
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Robert Braithwaite Martineau
English genre and portrait Painter, 1826-1869 was an English painter. He first trained as a lawyer and later entered the Royal Academy where he was awarded a silver medal. He studied under Pre-Raphaelite artist William Holman Hunt and once shared a studio with him. He died at the age of 43. He married Maria Wheeler and had two children with her. His most famous painting, "The Last Day in the Old Home" portrays a man who has brought ruin upon his family and can be seen at the Tate Gallery in London. Other paintings were bequeathed to the Ashmolean Museum in Oxford and Liverpool Art Gallery by his daughter Helen. Other less well known paintings include "Kit's First Writing Lesson" and "Picciola".
MORETTO da Brescia
Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.
Cesare Mussini
painted Atala in 1835